Representatives of this tendency were, the solemn but stiff Marcus Junius Brutus (669-712); the two political partisans Marcus Caelius Rufus (672-706;(35)) and Gaius Scribonius Curio (d. 705(36);)-- both as orators full of spirit and life; Calvus well known also as a poet (672-706), the literary coryphaeus of this younger group of orators; and the earnest and conscientious Gaius Asinius Pollio (678-757). Undeniably there was more taste and more spirit in this younger oratorical literature than in the Hortensian and Ciceronian put together; but we are not able to judge how far, amidst the storms of the revolution which rapidly swept away the whole of this richly-gifted group with the single exception of Pollio, those better germs attained development. The time allotted to them was but too brief. The new monarchy began by making war on freedom of speech, and soon wholly suppressed the political oration. Thenceforth the subordinate species of the pure advocate-pleading was doubtless still retained in literature; but the higher art and literature of oratory, which thoroughly depend on political excitement, perished with the latter of necessity and for ever.
The Artificial Dialogue Applied To The Professional Sciences Cicero's Dialogues
Lastly there sprang up in the aesthetic literature of this period the artistic treatment of subjects of professional science in the form of the stylistic dialogue, which had been very extensively in use among the Greeks and had been already employed also in isolated cases among the Romans.(37) Cicero especially made various attempts at presenting rhetorical and philosophical subjects in this form and making the professional manual a suitable book for reading. His chief writings are the -De Oratore- (written in 699), to which the history of Roman eloquence (the dialogue -Brutus-, written in 708) and other minor rhetorical essays were added by way of supplement; and the treatise -De Republica- (written in 700), with which the treatise -De Legibus- (written in 702?) after the model of Plato is brought into connection. They are no great works of art, but undoubtedly they are the works in which the excellences of the author are most, and his defects least, conspicuous. The rhetorical writings are far from coming up to the didactic chasteness of form and precision of thought of the Rhetoric dedicated to Herennius, but they contain instead a store of practical forensic experience and forensic anecdotes of all sorts easily and tastefully set forth, and in fact solve the problem of combining didactic instruction with amusement. The treatise -De Republica- carries out, in a singular mongrel compound of history and philosophy, the leading idea that the existing constitution of Rome is substantially the ideal state-organization sought for by the philosophers; an idea indeed just as unphilosophical as unhistorical, and besides not even peculiar to the author, but which, as may readily be conceived, became and remained popular. The scientific groundwork of these rhetorical and political writings of Cicero belongs of course entirely to the Greeks, and many of the details also, such as the grand concluding effect in the treatise -De Republica- the Dream of Scipio, are directly borrowed from them; yet they possess comparative originality, inasmuch as the elaboration shows throughout Roman local colouring, and the proud consciousness of political life, which the Roman was certainly entitled to feel as compared with the Greeks, makes the author even confront his Greek instructors with a certain independence. The form of Cicero's dialogue is doubtless neither the genuine interrogative dialectics of the best Greek artificial dialogue nor the genuine conversational tone of Diderot or Lessing; but the great groups of advocates gathering around Crassus and Antonius and of the older and younger statesmen of the Scipionic circle furnish a lively and effective framework, fitting channels for the introduction of historical references and anecdotes, and convenient resting-points for the scientific discussion. The style is quite as elaborate and polished as in the best-written orations, and so far more pleasing than these, since the author does not often in this field make a vain attempt at pathos.
While these rhetorical and political writings of Cicero with a philosophic colouring are not devoid of merit, the compiler on the other hand completely failed, when in the involuntary leisure of the last years of his life (709-710) he applied himself to philosophy proper, and with equal peevishness and precipitation composed in a couple of months a philosophical library. The receipt was very simple. In rude imitation of the popular writings of Aristotle, in which the form of dialogue was employed chiefly for the setting forth and criticising of the different older systems, Cicero stitched together the Epicurean, Stoic, and Syncretist writings handling the same problem, as they came or were given to his hand, into a so-called dialogue. And all that he did on his own part was, to supply an introduction prefixed to the new book from the ample collection of prefaces for future works which he had beside him; to impart a certain popular character, inasmuch as he interwove Roman examples and references, and sometimes digressed to subjects irrelevant but more familiar to the writer and the reader, such as the treatment of the deportment of the orator in the -De Officiis-; and to exhibit that sort of bungling, which a man of letters, who has not attained to philosophic thinking or even to philosophic knowledge and who works rapidly and boldly, shows in the reproduction of dialectic trains of thought. In this way no doubt a multitude of thick tomes might very quickly come into existence--"They are copies," wrote the author himself to a friend who wondered at his fertility; "they give me little trouble, for I supply only the words and these I have in abundance." Against this nothing further could be said; but any one who seeks classical productions in works so written can only be advised to study in literary matters a becoming silence.